Distracted by sewing tonight. But almost done. Only six buttons to go. Out of the total of 43 needed on this kirtle.
And then I have to make the surcote to wear over the top.
Busy, busy, busy.
Penny Higgins - Storyteller • Artist • Scientist
Combining Science and Joyful Creativity
The day’s nearly over, and I have no blog post for today yet, so here it is.
What things might distract me from writing? Today it’s sewing.
Good idea = hard work. Cord makes button loops on the other side. Sewn by hand. 4 to go, then other sleeve. #sewing pic.twitter.com/zmu5DyPp6D
— Penny Higgins (@paleololigo) July 3, 2013
Hello followers,
Betcher wondering why nothing has been posted here in the last week.
Alas, I’ve been sick. Really sick. Presumably just a virus, but a tough one. Maybe the flu (my favorite summer affliction). We’ll see.
I’m operating at about 80% right now, trying to direct my limited resources at the things that are most demanding: family and work. The blog, and writing in general, has taken a massive hit. I haven’t exercised in more than a week. I did, finally, yesterday, do a little sewing. After a three-hour mid-day power nap.
Hopefully the coming week will see me back to my old self.
I have been known to occasionally make some armor. The functional kind.Continue reading “Armoring”
I’ve been doing a lot of writing of late, mostly on my Herongarde novel. I also have become involved with the Society for Creative Anachronism (SCA) – specifically with heavy weapons (aka swords and such). I have this character, Hanna, who is transported back into medieval times. She finds herself in situations where she must wield a sword. I want to write the story with some level of accuracy, but reading about medieval swordplay can only get you so far. And, let’s face it, what we see in movies most of the time is pretty bad swordsmanship. So, twice a week, I strap on some armor and learn first-hand what it’s all about.
I *really* enjoy it.
Yeah, it’s a hell of a workout. Armor is heavy. It’s hot. And since I’m borrowing armor, it’s also awkward and uncomfortable. Most of the bruises I get aren’t from sword blows, but from the armor itself. I need my own kit. I have to decide what I want my persona to be.
Armor includes many layers. One usually starts with a light shirt. Over that comes the gambeson, which is a padded shirt – so the armor doesn’t bit you as much. I’ve made myself a gambeson. It makes a huge difference. I need to make padded legs, too. I’ll get to that eventually.

What after that?
The SCA has its rules, so I’ll start there. You have to protect the knees and elbows from the front and from the sides. There are lots of ways to do this, but when I get my own kit, I want to go for metal knees and elbows.

Other necessities include protecting the Xiphoid process (the lower tip of the sternum or breastbone) on the chest, and to protect the kidneys and floating ribs on the back. A He-man style breastplate and a big ol’ weight lifting belt might do the job. My reaction: functional, but too Xena-esque. And, given my interest in medieval Europe, a better choice for me would be a bringandine or “coat of plates” which is basically metal plates riveted onto thick leather. This was the predecessor of plate armor.


SCA rules insist that the neck be protected. The most common way to do this is with a gorget – basically a thick leather collar. I’ll probably go with that initially, since it will be relatively easy to make and can be made in any number of styles.
Obviously, I’ll also need a helmet. Hmm. Obviously, something like that, I’m not going to make myself. But I got people. And the Internet, if that fails…
Gloves are important, since the hand must be protected. For now, I’m using a sword and shield with cages over the hand for protection. Ultimately, I want to ditch the cages (making my equipment lighter), and get armored gauntlets. A good hockey glove does the trick, but is seriously NOT period. This will be a challenge to create.
Then there are the other bits that aren’t required by SCA rules, but I think might be foolish to do without if they were real swords, not just rattan rods with hilts.
My kit will include pauldrons, which sit on the shoulders like the pads that football players wear. (Clarify: American football, apologies to my non-US readers.) And they shall be shiny and metal.

I need something over the thighs, hopefully wrapping completely around the thigh. Those wrap shots to the back of the leg really smart! These can be leather and simple, basically something to hang the knees off of.
Similarly, the elbows need to connect somehow to the shoulder, probably to points (or ties) under the pauldrons. Might as well protect the upper arm as well.
So far I’m glad I have the gambeson made. All these straps are gonna leave marks.
Ultimately, I dunno if I’ll put anything on the lower leg (greaves) or on the lower arm (bracers), but these can be independent of the knees and elbows, and that may just be how it goes.
Over top of all this, typically goes a tabard. This is a simple covering usually bearing the colors of the fighters nation. I made a really basic one with the colors of Herongarde. By wearing a tabard, the gaps in the armor are hidden (if there are any). A tabard can also be asthetically pleasing. For now, the tabard I’ve made will do. Later, I’ll make one with the proper materials (linen instead of cotton).
What about that chain mail? You ask. Well, mail (or maille) would be worn over the gambeson and under the brigandine. I have a maille shirt. It weighs 25 pounds. Not planning to wear it for any SCA practices, since it would be overkill, but in real action. I don’t think I’d leave it behind. I need to fit the shirt I have to my body a little better, though. The sleeves are too big. I might just discard them altogether. And the leather trim might get tossed too. We’ll see.

Of course, no one does the maille-brigandine-tabard quite as well as James Purefoy.

I’m not sure why I’ve decided to do this. Lord knows I’m not exactly overflowing with extra time! Oh well! It’s coming up on Renaissance Festival season, and I want some new costumes. And just in time comes this challenge:
The Second Annual Italian Renaissance Costuming Challenge
The contest calls for me making three costume layers (underwear to outerwear) and some accessory. I’m trying to decide how to approach this. Strangely, the problem isn’t really what I should make, but for whom shall I make it? I’m thinking I’m gonna make something for the husband in this case. Last year’s costumes were more Medieval than Renaissance, but we can re-use those for another trip to the Faire. And this time, we have a workable costume for the boy as well!
Over the winter, I was inspired to make some more Renaissance-y costumes for myself, so I’m set more or less. My costumes aren’t *exactly* what one might have worn during the Renaissance, but they’re close enough.
Costumes for the man, it is!
So, for the man, I first need to make a shirt [Item 1]. I’ve actually made him one before, but for the contest I must 1) make everything from scratch, and 2) make something a little more Renaissance. This new shirt will need an upright collar, and maybe some embroidery.
I’ll probably also want to make him some hose – joined hose [Item 2], that is. I made hose last year, too, but not joined hose. I love telling the husband that he’ll have to wear hose. It makes him cringe.
Then a doublet [Item 3]. Not surprizingly, he has one of those too. But the one he’s got is sleeveless and collarless. This time, I’ll go with sleeves and an upright collar, and maybe poofy shoulders. Yeah, he’ll like that.
I need to make slops [Item 4]. It took me a while to figure out what ‘slops’ were. If they’d’ve just said ‘poofy pants’ I would have gotten it.
Then I need something to put over that, a cloak or cape. A cloak [Item 5] will do, methinks.
Finally, I need an accessory. So, I need to think of a man’s accessory. Probably it’ll have to be a hat [Item 6] of some sort.
Well then let’s lay it out.
[Item 1] – shirt: the costuming book I have calls for 3.75 yards of 45 inch wide linen. Linen is *really* expensive, so that’s not going to happen. But there’s some linen-look fabrics that I can buy. This is probably the simplest piece I’ll be making.
[Item 2] – joined hose: Wow. This pattern calls for 2.5 yards of 50 in wide wool plus 2.5 yards of 50 inch wide cotton or linen. Wool is also expensive. Might have to improvise there. Cotton will be cheap.
[Item 3] – doublet: Now we’re getting complicated. Wings and tabs and points and ahmahgahd!! All right, but we can do this! This pattern calls for 2.75 yards each (at 45 inches wide) of calico, top fabric, and lining. Let’s see here. What’s gonna give…
[Item 4] – slops: Crap. Panic is setting in. This is complicated. Panes? WTF? All right, I can do this. Everything should be 45 inch wide fabric: 4.5 yards of calico, 1.25 yards of top fabric and lining for the panes, 0.75 yards of top fabric for the lining, 0.75 yards of top fabric for the canions (whatever they are), And then some lining (1.5 yards) and wadding (1.3 yards).
[Item 5] – cloak: Well, my one book has nothing on cloaks, but that’s OK. I’ll fret about that later.
[Item 6] – a hat: This is another thing that will wait a while.
So the contest actually begins on April 15th, but I can at least purchase all the fabrics I need before then. Maybe I’ll have a better idea of how exactly I’ll accomplish this after I get the fabric.
Anyway, here’s to sewing!